That enhanced midrange vocal presence upper harmonic order is slightly emphasized as a result so it will have a ‘crisp’ effect to percussion tone and vocals will seem ‘vivid’. FiiO FH5 vs FiiO FH7 Comparison Review FIT. The scoring that appears on this site is determined by the site operator in its sole discretion, and should NOT be relied upon for accuracy purposes. It is not a huge jump but you will notice it going back and forth. The only tricky part is connecting. For competitor DAPs, I felt the iBasso DX160 to be a better match for the FA9 compared to the HiBy R5. The vocal tips are still my number one for depth and seal whilst the SpinFits felt a bit too soft in my left ear and kept breaking the seal, even on the largest size. Like the FH5 and FH7, they are all in a single foam tray and labeled in terms of what they focus on for the single-bore silicone tips such as balanced, vocal, and bass. Treble is nice and bright without being too tiring. FiiO FA9 là chiếc tai nghe thể hiện tham vọng của Fiio trong thị trường tai nghe in-ear universal cao cấp với 6 drivers, nhiều tùy biến, và đặc biệt hơn, Fiio FA9 cho phép người dùng điều chỉnh từ trở kháng cho đến bass/treble thông qua hệ thống dip switch mới. In contrast, the impedance switch did make a big difference to the noise floor when paired with Hifiman’s R2R2000 which can be quite brutal in terms of noise to sensitive IEMs. Ash is back with FiiO FH7 today! The ‘verve’ I tend to find in good dynamic drivers shines through very nicely. There is a solid dip in the lower-mids, a mild bump for the vocal presence, and some clear but not an overly bright treble response. Even with the bass boost on it still kept a superior level of separation compared to the M11. The design is a dark “ripple-like” blue ton with gold trimming and a stainless-steel nozzle that runs slightly shorter than the FA9 version. How time flies. The treble isn't too high (which I have that problem with the S8Z) and sounds good. It also has a longer nozzle compared to the FH5 which does help a lot with tip selection. The impedance of the new FiiO FA9 6 Knowles Balanced Armature IEM is specified at 16 to 32 ohms, and the sensitivity is a remarkable 110 dB. And judging from photos alone, you can already tell that the FA7 is the more ergonomic design. Like the FA9, it’s tuneable, but by changing nozzle filters instead of using a switch. That means its sound is fixed rather than variable. Technically it is a run below the FA7 and FA9. It is also dead quiet for microphonics and the memory hooks seem not too stiff. I would love to see balanced as stock with an adaptor in the box for 4.4mm or 3.5mm. I am curious though if the switch can be applied to their hybrid range which would be something. This is not an aggressive treble. The improvements with the FA9, however, are excellent. The FA9 aesthetic it is more ambitious than the FA7 with a bigger form factor as a consequence of trying to fit in that long tubing, crossover switch block, and additional driver. Slide here to add your score on the gear. The FH7 is well built and comes with lots of extra. The FH5 is a 4-driver hybrid monitor consisting of a single 10mm PEK Polymer Nanocomposite dynamic driver and 3 balanced armature drivers. These fit so perfect and sounds so clear. The company has stated it is a driver used in high-end models but rarely do high-end companies achieve the same level of transparency as FiiO in listing their drivers. Impedance or resistance is an inherent feature in switching designs that can either release or restrict aspects of the frequency response, hence the variation. It was only a few years ago that they dipped their toes into the market with the EX1 and now, in 2020, we have what seems to be a settled road map and some fairly mid-fi high value to performance ratio options such as the FH5, FH7, and the FA7 in late 2018. The FA9 ditches the additional balanced single bore tip that came fitted out of the box on the FH7 and instead they have thrown on the medium SpinFit. It can be a slippery and slightly off-balanced affair so grip tightly when connecting. The comfort and seal on the FA9 are excellent. What makes the FH7 so special is its exciting, all-rounder tuning guided by two tenets. The enhanced treble clarity with treble boost on does inject some much-needed space into the mids of the FA9 and a slightly sharping of individual notes. The R5 will give it some oomph but on the whole, I do not think the FA9 needs anymore ‘oomph’. As mentioned, the long tubing inside the FA9 and the additional driver does need additional space. The remaining 4 signatures are more focused on delivering enhanced treble or bass to mids and would be more based on your own listening preferences. You get a small pill case of filters that you apply on the nozzle tip that tweak 2 FR bands, treble and bass as well as a 3rd offering a neutral sound signature. In fact, my colleagues have raved about the FiiO fit since the release of the FA7. They have a classier, more aesthetically pleasing design. The FA9 is all change with a dual HODVTEC-31618 woofer for the lows, dual EJ33877 for the mids, and a dual SWFK-31736 for the highs. This is a dual HODVTEC-31618 woofer for the lows, dual EJ33877 for the mids, and a dual SWFK-31736 for the highs. This site is a free online resource that strives to offer helpful content and comparison features to its visitors. I have to go with a neutral or clean source with the FA9, more M15 than M11 which can sound a shade warmer and less resolving through the mids. Probably the critical differences here focuses on the bass timbre and dip into the lower-mids of the FA9 combined with the shaping of the upper mids and treble of the FH7. The FH7 has some fantastic dynamic bass texture and punch right at the lowest level. FiiO has been gradually moving upwards with their IEM ambitions. I’m a much bigger fan of the FA7 in this department. However, a lot of people still love its rich smooth sound and the price point is on the money for me in terms of value to performance. There does seem to be a little lack of air in the upper mids which you can compensate for with tip rolling and treble boosting but you will not get the same clean presence as the FH7 or even the FH5 which have more significant vocal bumps. Opening this reveals the FA7 safely held inside a foam cut-out. The FH5 is the second in line on the hybrid side and just behind the FH7. This is a mixed 5 driver build instead of 6 BA inside the FA9 consisting of a single beryllium-coated 13.6mm dynamic driver for the lows, a single Knowles DFK for the mids, and a dual BA SWFK-31736 for the highs. The switching technology is some required value-add. Boy, I was blown away by the sudden clarity of those. These two are equal in a lot of ways with a similar price, standard of build quality, and accessory set. The cable is light with virtually no memory retention and handles much better than the FH5 stock cable despite the FH5 cable seemingly a little smaller. Sound isolation is fantastic, and they feel perfectly molded to contours of my ears. You also get a cleaning brush and a small magnetic IEM cable organizer clip in an off-white color. I felt the FA7 struggled a lot for air and whilst I would not say the FA9 is the airiest monitor in the world it does have significantly better staging capability in both its width and height. Consistent with the Infinity Sound pitch, FiiO has made the F9 detachable with a choice of 2 cables, balanced and single ended 2.5mm and 3.5mm. (Note: This comparion credit to Soundnews, if you would like to read the full review, just click the following button) FH7 vs FA7. Not quite. The first is the level of bass bloom in the FA7 which is higher than the FA9, even with the strong bass switch selection on. Custom Knowles EJ BA driver, Ultra-long sound tube, Four-way crossover, DLP 3D printing, 8 strands of pure audio cable, MMCX connectors, SpinFit eartips, S.TURBO acoustic design, Aerospace-grade aluminum alloy, Etymotic Research ER3-SE In-Ear Headphones, Etymotic Research ER4-SR Studio Reference In-Ear Isolating Earphone, Etymotic Research ER4S-B In-Ear Headphones, Shure SE535-CL-E Premium Sound Isolating Earphones, Westone UM Pro 10 Single Driver IEM Earphones, Westone AM Pro 10 Single Driver IEM Earphones, Etymotic Research ER3-XR In-Ear Headphones, Etymotic Research ER4-XR In-Ear Headphones, RHA CL750 Noise Isolating Precision High Impedance In-Ear Headphones, Fiio FA1 Single Balanced Armature In-Ear Monitors, Tin Audio T3 Dynamic Hybrid driver In-Ear Earphones, Best Selfie Sticks to Capture the Best Moments. I can seal far better with almost the same tips as the FH5. One thing to note, like the FH7, the FH5 has much more of a 1-3 bump whereas the FA9 is gentler and very reserved in the 3-4k region. The FiiO FH5 arrived in quite a large (~ 155mm x 206mm x 78mm) retail box with very simple black over-sleeve (just the words FiiO, FA7, Hi-Res Audio logo, and a graphic image of the FA7 on the sleeve). FiiO LC-2.5D 2.5mm High-Purity Monocrystalline Silver Litz MMCX Replacement Cable for Shure SE215 SE315 SE535 JVC/FiiO FH5 FA7 FH7 4.4 out of 5 stars 163 $99.99 I tested all 3 extensively, initially with the stock 3.5mm cables, then again with the Fiio LC-RE cable w/ 2.5mm balanced tip. The focus now seems to be on multi-driver hybrids and all armature with the FA9 being their most ambitious to date at $499. Another key feature of the new FiiO FA9 6 Knowles Balanced Armature IEM is the extra-long sound tube, which winds inside the tiny cabinet and is no less than 80.6 mm long. As it turns out, the FA9 also gives the user the ability to alter the frequency response, but in … Initially the sub-bass was not so pronounced as with the FH7, but then I tried the FiiO bass tips (adapted to the narrower SE846 nozzles with a small stem), the sub-bass is there; Now to stay. The level of comfort and sound isolation is fantastic.
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